A better way to read music is to directly associate each dot on the page with its respective key on the piano.
Below are two octaves of music notation (naturals only), where each dot is aligned with its respective physical key. Do you see how reading music is possible without ever using names? Note: Middle C is marked with a red dot.
Two things must be emphasized here. First, the circled note above represents the physical key that the green arrow points to. That circled note is always that piano key for every kind of music, no matter how complicated. Second, it really doesn’t matter if the circled note is called “A” or “Purple” or “Lucy” or “Charlie Brown”.
This approach maps the notes on the page (a visual-spatial pattern) to the keys on the piano keyboard (another visual-spatial pattern). It is done directly, without any intermediate steps like translating dots to letter names and then letter names to piano keys. This is not as hard as it sounds, because each line or space on the grand staff always represents a particular note on the piano, always.
Here is the map for all of the natural notes on the grand staff, extending to four ledger lines above and below the treble staff and bass staff (sharps and flats have been omitted intentionally because they are just details):
The map above is a straightforward right-brain visual-spatial pattern that can be mastered in a very short time with just a little bit of practice (go to Study Aids).
That said, if we stop here, we will be forever trapped in the “paint by number” matrix. We can do better still.